![]() ![]() When I don’t hear the words I relish every note.Ĭredit: “Photography: Seth Smoot, Design: David TherapyĪny signs of creative interference in the design process by the artist? Well… anyone in the music entertainment biz will tell you Interpol’s management are vigilant in portraying the band’s image and controlling their product (and rightly so – do you remember how The Strokes lost all mystery when that guy starting in with Drew Barrymore?)ĭoes the look fit the sound? It does but this is an odd one. They serve up virtually the same pulsing angst (and occasional dodgy lyric – “no I in threesome?” Come on now boys) as before and as we no longer have The Sound or Comsat Angels, someone should be doing this type of music justice. ![]() Is it worth listening to no matter what it looks like? If you dig Interpol (and I do) then don’t be shy pardna. He will be poking and prodding various albums on a weekly basis so please be sure to keep an eye out! ![]() John Foster has deconstructed the design of the music industry through his personal work and his books, Maximum Page Design (HOW), New Masters of Poster Design (Rockport) and the upcoming For Sale: Innovative Solutions in Packaging Design (HOW) as well as a monograph of Sub Pop’s Art Director, Jeff Kleinsmith, slated for publication by the label in 2008. ![]()
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